The Vase
Medium sized dogs in flashing collars ran code across the dark
seeking their attributes And I could not praise
Bullfrogs and the waterfall 3 meetings plus
a Covid test, 5 am with every window open on my precious
unmade kid
A crumpled-up tank later smoothed out and placed invitingly
on the side of the road like a ware For some
the tumult subsides in management not change
Maybe it’s just who you are— yet an individual
cancerous and supreme Or life’s exactly
what every other poet said a long green road
gravel either side and the feeling of
I have written that
That’s all gone
Its lungs and mind
A toxic aunt
In the woven headpiece
The give and take of night
I walk within
A phrase-idea, the dusk
I’m standing at
Medium sized dogs greeting each other off leash
in my dreams
Take these tools,
build some credit
And
I could not praise
Conveying in its double wide extended cab, just
a person in a Subaru dialing their therapist
Do you write thinky poems or feely poems the painter asked
on the fire escape
Why should you consider me?
Thinky someone answered so guess it’s true
I have a terrible imagination
That feels bad
Full of limits, uncareered
Feely feels bad too
Hotboxing the minivan
Fries on the road
A woman far out
That anarchic spirit
At dawn
Another chorus
You’re angry with the wrong side don’t you hate
To hear it
Everyone who went alone
Watching through the window
Their persons in the snow
Then conversation shifted and each gave their hierarchy
in the pantheon of artists
quarreling save for those that concurred
in asserting the quintessence of musicians, who
they claimed irrefutably reminded you
you are not dead of which criteria they again
agreed to be nonpareil
to the kind of thing
the true artist should aspire to achieve
I said I like ceramicists for their beautiful utility
A vase doesn’t make me glad to be alive
The novelist decreed
2 Ditties Then:
The student farm knows not how
It came to grow
These purple kohlrabies
Three fish don’t fit
In the pan I like
To cook all three you need to use
The other one
They just don’t come out right
These friends are not interested in your fine philosophies
There is a body an urge that you deny in order to
refine a proposition—?
You must join their tickled chaos! but authentically
I still get excited when talk turns to art
Secretly I roll around the word aesthetics
like a booger on my thumb
In Anya’s garden out of Chekhov like the middle
Of Gooseberries in the pond, there was no pond
No man with a hammer but
a bird cannon warning off crows from the corn
every 5-7 minutes Is happiness thus
punctuated? Or woven as this idea I had to call a poem
The Woven Headpiece in which, prosaic but inventive bare
and intellectual in my reasoning, I’d move
from peg to peg in the overheating world
Bones of cows discovered in brooks
Yards disclosing twisted teas
All I can think is to think again
of the vaster partaking of anything that is
the moms and dads plus weirder relations
A chubby knee of which we spiritually take part
Or belong utterly and to each— the many of us gathered
on the fire escape for it was cooler there
I spoke of a gun range at solstice
The definition of a firearm? He told us as we ate
some feta drizzled in honey
Tangled, ticky in the old growth impossible
not to imagine what’s beyond the road, the green
so rotate the vase to climb in
Poet Dilemma
Do I want seconds
I want to write a great poem
Here just falling asleep
Thinking of animal names inventing
A new way to do adjectives
Sustain the regard, all corrupted parts
Of the diction
Can I enlist you?
What’s true for the snail
Is splendor
Bananas crescent moons
there is rain and a virus outside they are falling
in a strange occasion the morning will be
“all mine”
Golden hills against the greyish truth cemetery appearing in
the old romances proximal, notational sketchy
A teenager on main street, it can’t be
simply impressions yet impressive how the stars
arranged
Turmoils the turgid passages
Luscious rash
I have learned to say
from a long list of murders such ecstatic personal austerities
this great ensample
presumption and arrogant visions
make up Art’s heart
If you think words are made of poems
I mean poems made of words
As we’re taught
I know plenty of words
Though I come from the provinces
Where the earth is filled with violence
Agentic, essential
To what a human calls the world
In high sun
A dark corner
Odd fog
In vital personality
Standing at the fair
I know dismay has some relation to lyric
Through repetition
And measure
Is a breathing castle
Stacking lines together
Science won’t destroy our enigma
But does something to the glare
The peaks of these
Nodding grasses
Remind me of paradise
Where sentiment is hard and clear
Hannah Brooks-Motl was born and raised in Wisconsin. She is the author of the poetry collections The New Years (2014), M (2015), and Earth (2019). Her next book of poems is forthcoming from The Song Cave in 2025.